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SHUO SHU 说书 17 December 2022 – 14 May 2023 Curated by David Williams

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SHUO SHU 说书

17 December 2022 – 14 May 2023
Curated by David Williams 

When wandering through the streets of imperial China, amidst bazaars and teahouses, one might stumble across the figure of a storyteller. Crowds gather around this lone narrator, whose tales of mystical beasts, warriors, and immortals, infuse the air with enchantment. Yet in recent years Shuo Shu, or the art of storytelling, has become a dying tradition. Contemporary Chinese audiences have instead turned their attention to digital content.

Before the age of web fiction and e-readers, the history of the written word in China dates back over 4000 years. In ancient times oracle bones were used for divination by Shang Dynasty emperors and engraved with the oldest known form of Chinese script. From bone to bamboo, wood, stone, silk, and tortoise shells – calligraphy was once inscribed upon various materials. Until one day a Chinese eunuch named Cai Lun, who served the Han court, was attributed with the invention of paper. Paper became print when a Chinese copy of the Diamond Sutra was recognised as the world’s oldest printed book. And one thousand years later, Mao’s ‘Little Red Book’ came second to the bible as the most printed book on earth.

The artists in ‘Shuo Shu’ map the evolution of the story from timeless myths and literary romances to political propaganda and modern-day censorship. Artists become shapeshifters, and their stories twist and turn to fit within codes and secret messages. Whilst a closed mind is like a closed book, stories reveal themselves to those who are open.

The White Rabbit Gallery was established in 2009 to share Judith Neilson’s private collection of 21st-century Chinese art with the public. SHOU SHU 说书 is the 26th exhibition in the gallery, which is a registered charitable institution funded solely by Judith Neilson. 

 

 

 

Top: MAO TONGQIANG 毛同强, Leaseholds, 2016, land ownership papers from various times in China’s history, found picture frames, 500 land ownership papers, dimensions variable

Bottom Left: LIU WEI 刘韡, Density 1-6, 2013, books, steel, plywood, 6 pieces, various dimensions
Bottom Right: GU WENDA 谷文达, Tian Xiang: Forest of Stone Steles (Sixth Series), 2017, marble, 24 pieces, dimensions variable

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White Rabbit Gallery, 30 Balfour Street, Chippendale NSW 2008
Open Wednesday to Sunday 10am — 5pm
Free admission
www.whiterabbitcollection.org

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